Monday, September 30, 2019
Carol Ann Duffy uses the theme of growing up in her poem Essay
Carol Ann Duffy uses the theme of growing up in her poem ââ¬ËIn Mrs Tilscherââ¬â¢s Classââ¬â¢. She starts off by setting the first stanza in a class in a primary school. She uses ââ¬Ëyou could travel up the Blue Nile with your finger, tracing the route while Mrs Tilscher chanted the scenery. Tana. Ethiopia. Khartoum. Aswanââ¬â¢. This quite obviously tells us that she teaching the young, ambitious class with a globe, again referring back to the classroom scenery as most primary school classrooms have globes. Then she says ââ¬ËThat for an hour, then a skittle of milk and the chalky pyramids rubbed into dustââ¬â¢. Here, Carol Ann Duffy is showing that when the geography lesson has finished and the children have had a break they simply forget about what theyââ¬â¢ve been taught. She also refers back to the geography with chalky pyramids. This stanza basically emphasising the happiness of the children at that age. ââ¬ËThis was better than home. Enthralling books. The classroom glowed like a sweetshopââ¬â¢. This is the opening two lines of the second stanza again showing the happiness and excitement of the children. ââ¬ËBetter than homeââ¬â¢ home is great so school must be even greater. ââ¬ËThe classroom glowed like a sweetshopââ¬â¢ a childââ¬â¢s favourite place is a sweetshop so Carol Ann Duffy here is using a simile showing that the atmosphere in her classroom is electrified by excited children as if theyââ¬â¢re in their favourite sweet shop. ââ¬ËBrady and Hindleyââ¬â¢ these were two child murderers that the children wouldnââ¬â¢t know about. Carol Ann Duffy, I think, has added these to humiliate them and to show the reader that the children are safe and in a totally different world to the murderers. ââ¬ËMrs Tilscher loved you. Some mornings, you found sheââ¬â¢d left a gold star by your nameââ¬â¢ the poet here is showing the reader the relationship between Mrs Tilscher and her children, again referring back to this really happy atmosphere and how Mrs Tilscher puts herself out to keep these children eager to learn, maybe, the next country or continent on the globe or looking at Vincent Van Goghââ¬â¢s famous paintings. Moving on to the next stanza, Carol Ann Duffy has started with ââ¬ËOver the Easter term, the inky tadpoles changed from commas into exclamation marksââ¬â¢. This is definitely a signal from the poet that the children are growing up. The poet here has put the poem into reality going back to when the reader was at this stage, everyone had the tadpoles experience before Easter then come back and theyââ¬â¢d all turned into frogs but here the poet is putting the children in conjunction with the tadpoles signifying that they are growing up as well. As you can see Carol Ann Duffy, the poet, adds something in this stanza that almost everybody has the experience of as a youngster, ââ¬ËA rough boy told you how you were born. You kicked him, but stared at your parents, appalled, when you got back homeââ¬â¢. It was that day never to be forgotten, the day you found out that you donââ¬â¢t just pop out your mums belly button but everybody, eventually, takes in the truth and carries on with their lives. The next stanza begins. By now the children arenââ¬â¢t really, in fact, children anymore. Theyââ¬â¢ve finally reached the final curtain before senior school. They were in their last term of primary school and what fools they were to believe that this was a relief. ââ¬ËThat feverish July, the air tasted of electricity. A tangible alarm made you always untidy, hot, fractious under the heavy, sexy skyââ¬â¢. Here, the poet is just emphasising the summer season and hot weather and I think with the use of the word electricity she means how immensely excited they were about leaving. ââ¬ËYou asked her how you were born and Mrs Tilscher smiled, then turned awayââ¬â¢. Again referring back to the, once disgusting but now quite interesting, subject of sex, here showing that their minds still donââ¬â¢t really want to believe it but arenââ¬â¢t perfectly sure whatââ¬â¢s true and what isnââ¬â¢t. ââ¬ËMrs Tilscher smiled, then turned awayââ¬â¢. Here again emphasising that sex isnââ¬â¢t to be found out about at this age and certainly isnââ¬â¢t a subject of conversation for the classroom. ââ¬ËReports were handed out. You ran through the gates, impatient to be grown, as the sky splits into a thunderstorm. It must be the last day; the children are extremely excited about leaving. First of all, at the end of the day, you get your report and without even saying your last goodbyes youââ¬â¢ve ran through the gates, but these may not be the gates of your school but the gates to a bumpy ride to hell! ââ¬ËImpatient to be grownââ¬â¢ after all the children or should I say young adults have hit the puberty barrier and now want to be just like their mother and father, no longer embarrassed about sex but wanting to be involved with it. ââ¬ËAs the sky split open into a thunderstormââ¬â¢ this is a very powerful use of language, it almost hits the reader. But Carol Ann Duffy is basically showing the reader that they donââ¬â¢t know what theyââ¬â¢re in for and could turn out to be horrendous. The use of the word thunderstorm maybe referring back to the weather because usually after really hot days after days you get a thunderstorm and also could be referring back to the unsafe world looking back at Child murderers Brady and Hindley.
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